Amy E. Fraser Art

Photo of Amy E. Fraser from 2000      Sounds SO dramatic right? In all seriousness it really has been 20 years since I wrote my Masters of Arts and Liberal Studies Thesis: “Dissecting The Western Woman Artist; An Artist's Dialogue”. Much has happened in the two decades that have passed since I graduated from Dartmouth College. Sometimes it feels like that was forever ago and at other times, like it was only yesterday.      So, you may have noticed if you have been reading my blog posts over the past few months, I’ve been feeling a bit nostalgic. Although I’m not sure nostalgic is exactly the word for it. Maybe its melancholy, mostly I think I’m just suddenly feeling old? Without even realizing it, our lives happen along. We often set aside our original dreams and goals for, well, reality. This usually means that we work toward smaller, more practical accomplishments. We learn the art of compromise and we tend to whittle away our existence to getting through each day, losing

Dissecting The Western Woman Artist; An Artist's Dialogue by Amy E. Fraser Bibliography Adams, A. E. 1994. Reproducing The Womb; Images of Childbirth in Science, Feminist Theory, and Literature. Cornell U. Press. Ithaca. Aggleton, John P. Ed. 1992. The Amygdala; Neurobiological Aspects Of Emotion, Memory, and Mental Dysfunction. A John Wiley & Sons, Inc., Publication. New York. Amadiume, Ifi. 1997. Re-Inventing Africa; Matriarchy, religion and culture. Zed Books Ltd. London. Antony, L. M. and C. Witt. Ed. 1993. A Mind Of One’s Own. Feminist Essays On Reason And Objectivity. Westview Press. San Francisco. Bartky, Sandra Lee. 1990. Femininity And Domination; Studies In The Phenomenology Of Oppression. Routledge. New York. Beckett, Wendy. 1988. Contemporary Women Artists. Universe. Phaidon Press Limited, Oxford. New York. Benzel, Kathryn N. and Lauren Pringle De La Vars. Ed. 1992. Images Of The Self As Female; The Achievement of Women Artists in Re-envisioning Feminine Ident

Dissecting The Western Woman Artist; An Artist's Dialogue by Amy E. Fraser  Conclusion        Some autopsy services have a sign reading "This is a place where death rejoices to teach those who live". I believe this holds true in the case of the subject dissected for this Artist's Dialogue. Autopsy revealed a multitude of explanations for the cause of Amy E. Fraser's art.      Like the 'subject', the dialogue also took the form of a living organism. Similar to a living body, the body part chapters worked together to create one integrated whole. Concepts overlapped and intertwined like the processes of human systems. Each organ's cultural metaphor led to individual areas of study and personal perspectives that define my works. Each chapter is significant within itself, yet more complete as part of the whole dialogue.      The dialogue has taught the reader that art is a multifaceted process that includes many areas of study. My art has improved

Dissecting The Western Woman Artist; An Artist's Dialogue by Amy E. Fraser  Chapter 12 Brain  Gendered Thought, Female Intellect And Feminine Consciousness The Final Examination      Because the brain is very soft and easily deformed, it is not manipulated at the time of autopsy. Instead, it is hung up on a string in a large jar of formalin for two weeks. After the brain becomes fixed and has reached the desired firmness and consistency, it is rinsed in running tap water. Thus, the brain is ready for final examination.   Physiological And Cultural Aspects      By a most basic definition, the brain is the major organ of the central nervous system and the control center for all the body's voluntary and involuntary activities. The brain is assumed to be the sole organ responsible for the complexities of thought, memory, emotion and language. A further inventory of the mental features of a normal adult also includes sensation, perception, belief, intention